In the latest episode of Only Murders in the Building, the episode opens with Charles dreaming a terrifying dream. Sazz, his stunt duplicate, leads him through a forest while cryptically indicating that she is on her way to “Paradise.”
After hearing gunshots, Charles wakes up startled; this nightmare will follow him throughout the episode. If you’re wondering what else happened in the latest episode of Only Murders in the Building, keep reading this article to get a quick recap and if the episode is worth watching.
Charles’ Nightmares and Sazz’s Cryptic Clues in Only Murders in the Building
As the episode goes on, we see that Charles, Oliver, and Mabel are investigating the confusing death of Sazz in detail and are also pursuing fresh leads. In an attempt to sleep, Charles constructs a murder board devoted to cracking her case. He concentrates on her final words from the dream, “Paradise,” which baffles Oliver and Mabel.
With even more resolve, the group goes to the Concussions Bar, which is where Sazz last appeared based on an Instagram post. The group perseveres and, despite the crew’s initial resistance to assist them, meets Glen Stubbins—a stuntman who bears a striking resemblance to Ben Glenroy—who provides an unexpected link to Sazz’s last days.
Later in Only Murders in the Building, Paul Rudd makes a comeback in this episode, playing his part as Glen, his character’s stunt double from Season 3. Rudd’s presence lightens the investigation while Glen’s strange behavior results in an improbable compromise:
For a part in the upcoming Only Murders film, Glen pledges to get the group inside the rear area of the bar where Sazz was last seen. The group meets Dr. Maggie in this back room; she is a chiropractor, and she tells them that Sazz is getting ready to retire and is involved in a difficult relationship.
As all of this is going on, Mabel is still squatting in the West Tower in an attempt to entice the evasive Dudenoff. The subplot takes an unexpected turn when Mabel learns that the so-called “Westies” have been complicit in a complex rent-control scheme.
Glen Stubbins and the Path to Paradise
The group acknowledges that they have been illegally subletting apartments to Dudenoff, who is purportedly a resident of Portugal, in exchange for a nominal fee. Part of the arrangement is promised to Mabel if she stays silent, but she tells Charles and Oliver, which makes the investigation more difficult.
Later in Only Murders in the Building, the three continue their search for solutions even as they suffer from their issues—Charles struggling with guilt over Sazz’s death, Oliver becoming fixated on his connection with Loretta and Mabel learning the Westies’ secret.
The thought that he was the “bad relationship” Sazz had been attempting to break free from haunts Charles in particular. Charles starts to wonder about his involvement in Sazz’s life and death, which is a wonderful portrayal of the emotional weight of this realization.
The group follows a fresh lead to an enigmatic Paradise, New Jersey property Sazz had purchased, setting up the episode’s conclusion. There, they come across Bev Melon who is a gun-wielding producer of the film Only Murders.
He is an unexpected figure. With Bev threatening to shoot them, the episode finishes on a terrifying note, leaving viewers hanging on a classic Only Murders cliffhanger.
Mabel’s Discovery and the West Tower’s Dark Secrets
The comedy that this episode of Only Murders in the Building will be known for is expertly balanced with the growing mystery. The best part of the story is Paul Rudd’s comeback, which brings much-needed humour to an increasingly dramatic tale. His eccentric portrayal of Glen Stubbins adds new dimensions to the ongoing inquiry while providing a lighthearted nod to Season 3.
The central theme of the series, Only Murders in the Building, remains the interactions between Mabel, Oliver, and Charles. This episode puts their difficulties front and Centre, as Mabel unearths a web of falsehoods within the West Tower, Oliver navigates his complex relationship with Loretta, and Charles faces his inner demons. Character growth is the show’s foundation, and these emotional journeys give the murder probe more dimension.
This episode of Only Murders in the Building is visually stunning, with a spooky mood created by the contrast between the dream scenes and the real-world inquiry. The concept of “Paradise” permeates both Sazz’s real-world relationships and Charles’ dream, giving viewers plenty of material for conjecture as the season goes on.
One of the episode’s only drawbacks is its pacing. The first half of “The Stunt Man” feels a little dull at first, especially after the dramatic cliffhanger of Episode 3. But in the last act, the show bounces back, intensifying the suspense for what will undoubtedly be a thrilling Episode 5.
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Conclusion
“The Stunt Man” is a well-crafted episode of Only Murders in the Building, balancing humour and mystery with equal skill. The return of Paul Rudd as Glen Stubbins adds a welcome dose of comic relief, while the deepening character arcs and the enigmatic “Paradise” plotline keep viewers engaged.
Despite a slightly slow start, the episode delivers a thrilling cliffhanger that promises a captivating continuation of the season.